I'm posting fitness content in English from Germany, but most of my audience is in India and the EU; should I be concerned about this audience mismatch for monetization?
Regarding Timo's Instagram question: it's not surprising that a large portion of your audience is in India and the EU given global population distribution; posting in English from Germany reaches a global audience, and your viewership roughly matches world averages—about 40‑50% from the United States, 5% from Canada, roughly 15% from India (about one‑eighth of your viewers), the rest spread across Spanish‑speaking Latin America, with German‑speaking viewers around 3‑5% and French‑speaking viewers a similar share. This pattern is simply a reflection of where people live. If you're concerned about the Indian audience because of lower purchasing power, that's a valid business consideration—you may not be able to sell a high‑ticket product to viewers who can't afford it—but remember that a view is a view, and your content still gains traction; initially about 40% of your Instagram views came from India, and even with that mix you still achieved 100,000 views per video, which attracted followers who assumed you were doing something right. As for what you should do, clarify whether your primary aim is to build a personal brand or to monetize, because those are distinct objectives. You don't need to monetize through a personal brand; many brands accumulate massive view counts yet have weak monetization. I won't prescribe a path, but I'll share my own approach: I entered social media not to become a social media personality but to lower my cost per booked meetings. When I sent cold emails, my cost per booked meeting was X, and I experimented to see if I could reduce it. The videos I create serve as a sales tool—I'm technically selling you while you watch, building trust through humor and a low‑ticket, money‑back‑guaranteed offer, which lets prospects decide to buy without me having to jump on a call. Now hundreds of thousands can watch and think, 'That makes sense; I'll give it a try.' My sole goal is to reduce cost per booked meeting; I never aimed for a half‑million‑subscriber channel, I arrived here by decreasing that cost. So ask yourself what the real purpose of all this effort is. On a lighter note, I've been looking at a puppy and decided to check out the Beyond 2 VR headset—it's the highest‑quality headset currently available, gorgeous, and extremely high quality; they scan your face with an iPhone and 3D‑print a perfect frame, which is insane. The headset also includes optional audio; I use the simple strap, but I previously owned a VR headset and played ping‑pong with my business partner, which was awesome. VR technology has advanced rapidly, and Bigscreen has been doing impressive work. I'm not interested in using VR for gaming; instead I see it as a portable workstation where I could bring a small keyboard, run AI agents or write on screen while I'm elsewhere. I also just enjoy VR, so I'm likely to buy it—having the money makes it an easy 'why not?' purchase, and I can earn enough for it in about half an hour. Beyond the headset, I've been developing a set of mega‑course topics—each four hours or longer—that I'm considering producing. For my own sanity I'm not sharing them yet, but you'll eventually see them on the big‑screen VR setup or later on YouTube as finished courses. I'm committing to ultra‑long‑form content because I believe it's the best way to demonstrate my work ethic and make a noticeable impact on YouTube; competitors can't easily match my speed and consistent quality. I've also innovated on a few formats, which makes me a formidable presence. I look forward to creating many of these mega courses and establishing a pipeline to release one or two every few days—imagine a four‑hour Nick course every day, which would be intense to consume. Separately, YouTube recently altered its view‑counting algorithm. The change caused a noticeable rise in views: after the update on the 25th, views on the 26th and 27th jumped, giving us over 10,000 views per day on the Stack channel and, when I checked my own Nick's Surf analytics, a dip on the 26th followed by a surge to 40,000 views on the 27th, as if someone turned a